VISIONS ILLUMINÉES – MARY BEVAN

_{Barbara Clark, December 2023}

Mary Bevan, renowned for her exceptional interpretations of art songs, continues to captivate with her latest release, “Visions Illuminées,” an all-French program that showcases her masterful command of vocal expression. Collaborating with Joseph Middleton, the 12 Ensemble, and the Ruisi Quartet, Bevan delivers an enchanting collection of songs that range from late 19th-century classics to modern compositions, creating a mesmerizing tapestry of musical and emotional colors.

At the heart of the album lies Benjamin Britten’s “Les Illuminations,” a work rich in emotional depth and complexity. Bevan’s delicate yet expressive soprano voice, coupled with the nimble and transparent playing of the 12 Ensemble, breathe new life into this celebrated composition. The ensemble’s lightness and sensitivity complement the emotional subtleties of the piece, while Bevan’s ethereal singing, as demonstrated in “Phrase” and “Antique,” offers moments of sheer transcendence. The delicate interplay between the soprano and the ensemble is a testament to the musicians’ synergy and interpretive prowess.

Surrounding “Les Illuminations” are other French gems, both familiar and lesser-known. Mary Bevan’s exploration of Maurice Ravel’s “Un grand sommeil noir,” accompanied by Robin Holloway’s interludes, unveils a modern twist on these late 19th-century songs. Bevan’s surprising depth in the lower register adds a layer of richness to her interpretation. In the “Quatre Mélodies de Verlaine” by Debussy, the Ruisi Quartet’s intimate presence adds a fittingly delicate accompaniment, allowing Bevan’s charm to shine, especially in the whimsical “Mandoline.”

A quartet of isolated songs, presented in rarely heard instrumental arrangements, further highlights Bevan’s versatility. From Fauré’s “Clair de Lune” to Duparc’s poignant “Chanson triste,” Bevan’s emotional range and the finely nuanced interpretations of the accompanying ensembles create a uniquely enchanting experience. Chabrier’s “Tes yeux bleus,” orchestrated by the composer himself and recorded here for the first time, showcases Bevan’s ability to evoke longing and sentiment through her voice. Chausson’s “Chanson perpétuelle” adds a touch of Wagnerian influence, gracefully performed by Bevan.

The album’s delightful culmination is the inclusion of five serenades by Augusta Holmés, arranged for voice and piano quintet. Bevan’s emotive and sincere delivery turns these charming parlour songs into deeply touching pieces. Her golden tones blend harmoniously with the enchanting melodies, providing a sweet conclusion to an already exceptional collection.

Throughout “Visions Illuminées,” Joseph Middleton’s sensitive and sparkling piano accompaniment, the expressive artistry of the 12 Ensemble, and the refined contributions of the Ruisi Quartet create an exquisite backdrop for Mary Bevan’s vocals. The album, not only a showcase of Bevan’s vocal mastery but also a testament to her ability to interpret and connect with a wide array of musical styles, resonates with beauty and emotional resonance.

In a landscape of numerous renditions, Mary Bevan’s “Visions Illuminées” stands out as a treasure trove of captivating performances, both through the renowned and the lesser-known works it features. With its meticulously curated program, exceptional musicianship, and Bevan’s luminous voice, this album is a showcase of the enduring power of art song interpretation.