SHADOWS OF MY ANCESTORS

Behzod Abduraimov’s latest solo release, “Shadows of My Ancestors,” takes listeners on a journey through a diverse selection of pieces, showcasing the pianist’s growth and exploration of personal connections, as evidenced by the inclusion of compatriot Dilorom Saidaminova’s composition, “Walls of Ancient Bukhara.” 

The album unfolds with a three-year gap since Abduraimov’s last solo release, prompting curiosity about the pianist’s artistic evolution. The inclusion of Ravel’s Gaspard de la Nuit, particularly the tracks 19-21, serves as a barometer for assessing his development. In “Ondine,” Abduraimov’s interpretation introduces a sense of coyness and charm, although the melody doesn’t always stand out against the shimmering accompaniment. While the shadings of pianissimos are commendable, the pacing appears brusque and metronomic, leaving the listener questioning the rush in this mermaid’s narrative. Additionally, the architecture of phrases and buildup lacks variety, diminishing the impact of the sinister, undulating presence central to the composition. 

A successful rendition of “Le Gibet” should disturb the listener with its macabre essence, yet Abduraimov falls short of achieving this effect. The pianist’s B-flat ostinato fails to evoke the doomful tolling of the bell described in Aloyius Bertrand’s poem. The pursuit of melodic continuity sacrifices imagination, leaving the melody longing for gravitas and the dissonant cascades lacking an unnerving chill that artists like Martha Argerich masterfully convey in their interpretations. In “Scarbo,” Abduraimov’s technical prowess shines through, but the execution leans towards a jumpy and cute demeanor rather than capturing the capricious and menacing essence required for this challenging piece. 

While “Shadows of My Ancestors” exhibits moments of brilliance and technical skill, it falls short in conveying the depth and emotional intensity needed for some of the more intricate compositions. Abduraimov’s playing, while proficient, occasionally lacks the nuanced interpretation and atmospheric immersion that could elevate the listener’s experience. The album is not without its merits, but listeners seeking a more profound exploration of the featured works may find themselves wanting more from this offering.