LISZT – ALEXANDER ULLMAN

In this outstanding album featuring Liszt’s Piano Concertos Nos. 1 & 2, as well as the Piano Sonata, Alexander Ullman, accompanied by Andrew Litton and the BBC Symphony Orchestra, delivers a performance that stands out for its remarkable musicality and finesse. Unlike some interpretations that veer towards bombastic tendencies, Ullman’s approach showcases an exquisite sense of characterisation, making this album a true gem in the realm of Liszt’s piano works.

From the outset, Ullman’s pianism in Concerto No. 1 captures the essence of this fantastical and glittering creation. His delicate touch and nuanced phrasing give life to the solo triangle, allowing it to shine with subtlety, blending harmoniously with the orchestra. As the album progresses to Concerto No. 2, Ullman masterfully handles the high-stepping and flamboyant moments, infusing them with just the right amount of swagger while maintaining an underlying elegance and poise that ensure the work retains its essential musical integrity.

Ullman’s control over the piano is simply magnificent throughout the album. His clarity of touch and finesse in handling the delicately rhetorical fioritura is awe-inspiring, and his ability to control dynamics within a trill or a run, as demonstrated in the conclusion of the First Concerto’s first movement, is nothing short of exceptional. At times, it almost seems as if he can create the illusion of a sustained note, displaying a level of technical prowess that is truly remarkable.

The B minor Sonata receives an equally impressive performance, though it may lack the same edge of originality present in the concerto interpretations. Nevertheless, Ullman’s command of the piece is admirable, leaving a lasting impression on listeners with his expressive and emotive rendition.

The orchestral accompaniment by the BBC Symphony Orchestra under the direction of Andrew Litton is solid and supportive. The ensemble delivers strong performances, allowing Ullman’s piano to take center stage and shine. Special mention goes to cellist Susan Monks and leader Stephen Bryant for their commendable solos that add depth and beauty to the overall sound.

Recorded sound quality is generally excellent, capturing the nuances and subtleties of Ullman’s piano playing. While the piano might appear slightly forward in the mix during the concertos, this only serves to accentuate the splendid details of the soloist’s performance, allowing every intricate element to receive its well-deserved spotlight.

This is a truly captivating album that brings out the best in Liszt’s challenging works. Ullman’s remarkable pianism, characterized by a fine sense of characterisation and unparalleled technical prowess, ensures that these sometimes problematic pieces are presented with elegance and brilliance. This recording is a must-listen for classical music enthusiasts, as it exemplifies the art of exquisite pianism and masterful orchestral collaboration.