LEGACY – CHRISTIAN-PIERRE LA MARCA

“Legacy” presents a profound dive into the world of classical music, skillfully intertwining the works of renowned composers. The album features cellist Christian-Pierre La Marca alongside the accomplished ensemble Le Concert de la Loge, under the direction of conductor Julien Chauvin. This collection artfully contextualizes Joseph Haydn’s two striking cello concertos while incorporating compositions by his mentor Porpora, a reconstructed snippet from Mozart’s Sinfonia Concertante, and a touch of Gluck. The resulting amalgamation stands as a remarkable display of the artists’ nuanced interpretations and an engrossing exploration of the classical repertoire.

The album commences with Haydn’s Cello Concerto Nos 1 & 2, brought to life by the impeccable skill of Le Concert de la Loge. The ensemble’s agility and rhythmic precision shine brightly in the introductory tutti of the C major Concerto, seamlessly setting the stage for Christian-Pierre La Marca’s entrance. La Marca’s cello exudes an air of elegance and delicacy, effortlessly navigating the intricate passages and numerous chords that dot the composition. His unique cadenza, though veering from convention, adds a personal touch that injects fresh life into the performance. The Andante section showcases La Marca’s masterful phrasing and dynamic control, crafting a compelling narrative through his melodic prowess. The Allegro molto finale, propelled by a controlled intensity, ensures that the momentum remains palpable from start to finish.

Transitioning to the D major Concerto, the ensemble’s approach takes on a genial quality, echoing the thematic contours and rhythmic playfulness inherent in the piece. La Marca’s performance in this concerto is nothing short of extraordinary, with his double stops in the Adagio section resounding melodically and elevating the emotive depth of the composition. The synergy between La Marca and Le Concert de la Loge results in a harmonious blend of sounds, allowing the concerto’s inherent beauty to flourish.

The album also offers a tantalizing glimpse into Mozart’s genius through Robert Levin’s reconstruction of the incomplete Allegro from the Sinfonia Concertante for string trio. The confident interplay between the trio and the orchestra provides a mere glimpse into the grandeur that could have been, leaving listeners yearning for the complete opus.

In contrast, the Porpora concerto movement, though executed with skill, falls short of matching the album’s overall intrigue. The piece briefly comes to life with the participation of countertenor Philippe Jaroussky, reminiscent of an aria extracted from one of Porpora’s operatic works. Meanwhile, Gluck’s “Dance of the Blessed Spirits,” although a composition of undeniable beauty, feels slightly out of place within the album’s context, serving as a minor diversion from the central narrative.

In “Legacy,” Christian-Pierre La Marca and Le Concert de la Loge unveil a thought-provoking exploration of time-honored compositions, shedding light on the brilliance of Haydn and his contemporaries. The album’s meticulous attention to detail, consummate performances, and thoughtfully curated selection of compositions make it a valuable addition to the realm of classical music. It beckons listeners to delve into the rich tapestry of musical history, inviting them to uncover the intricacies that have shaped the legacy of these remarkable composers.