BEETHOVEN SONATAS FOR PIANO & VIOLIN – MIDORI & JEAN-YVES THIBAUDET

In their latest release, “Beethoven – Complete Violin Sonatas,” the extraordinary collaboration between Midori and Jean-Yves Thibaudet sets a new standard for interpreting these iconic works. This ambitious project marks the violinist’s illustrious career and commemorates her 40th anniversary as a professional musician. Despite being relatively new artistic partners, their chemistry shines through, creating an awe-inspiring musical journey that captivates from the very first note.

Right from the outset, the duo’s rendition of the “Spring Sonata” (No. 5) captivates with its poetic expression and impeccable attention to detail. Midori’s delicately nuanced dynamics and Thibaudet’s expert piano accompaniment weave a mesmerizing narrative. While some may favor a more overt vibrato, the duo’s decision to keep it subtle adds a layer of authenticity and intimacy to the performance. The jubilant second theme exudes an infectious energy, leaving the listener craving for more of this joyous vitality.

In the second movement, their interpretation shines with a perfect balance of simplicity and lyricism. The violin and piano communicate seamlessly, creating a musical conversation that reveals the depth of Beethoven’s genius. The Scherzo brims with delightful levity, and both artists display exceptional command, particularly evident in the thrilling staccato runs. The final Rondo, though brisk, showcases Midori’s ability to infuse the violin’s theme with a delicate nostalgia, making it an unforgettable moment in the sonata.

Turning to the No. 8 G Major Sonata, Midori and Thibaudet’s performance is nothing short of enchanting. Their collaborative brilliance comes to the forefront as they navigate through the contrasting themes with unmatched precision. Thibaudet’s pianism adds a delightful suaveness to the opening, while Midori’s violin soars with expressive phrasing and impeccable intonation. The Allegro Vivace brims with vivacity and charm, exuding a lightheartedness that sweeps the listener off their feet. This new rendition not only retains the excitement of their previous live performance but also adds a polished finesse that elevates the interpretation to new heights.

In the Kreutzer Sonata (No. 9), Midori’s technical prowess shines brilliantly, particularly in the opening with her flawless double stops. Her profound sense of contemplation imbues the solo passages with a captivating depth, setting this performance apart from others. Thibaudet’s piano, though somewhat restrained in color changes, compensates with a clarity and precision that complements Midori’s artistry perfectly. The presto section unleashes a torrent of urgency and ferocity, leaving the listener breathless, thanks to Thibaudet’s clever omission of the pedal, which adds a stark intensity to the fast runs. The F major Andante reveals yet another facet of their brilliance, with Thibaudet’s sprightly trills and Midori’s fluid passages painting an evocative picture of graceful melancholy.

The sound engineering and violin-piano balance are commendable, offering a warm and intimate listening experience that draws the audience into the heart of the performance. William Meredith’s liner notes provide valuable insights into the historical context and musical nuances of each sonata, enhancing the overall appreciation of the album.

Midori and Thibaudet’s “Beethoven – Complete Violin Sonatas” is a tour de force of musical artistry. Their interpretation showcases an unrivaled synergy that brings fresh perspectives to these timeless masterpieces. Whether you’re a devoted Beethoven enthusiast or a newcomer to classical music, this album is a must-have addition to your collection, as it redefines the boundaries of violin-piano collaborations and sets a new standard for interpreting Beethoven’s beloved sonatas.