FORBIDDEN FRUIT – BENJAMIN APPL

Benjamin Appl’s latest album, titled ‘Forbidden Fruit,’ promises a captivating musical journey with a twist. But hang on, there’s a catch—you might need a guidebook to navigate this adventurous experience! In the accompanying booklet, Appl himself cleverly explains that the album’s central theme weaves between “temptation and fall, prohibition and disobedience, good and evil.” Sounds intriguing, right? So, let’s dive in!

But here’s the thing: the musical content is just as fascinating as the theme itself. Appl skillfully blends lieder, songs, and melodies, taking us on a whirlwind tour through various musical landscapes—a mix of Liederabend, Parisian salon, London music hall, and Berlin cabaret. We find ourselves transported across different eras and styles, creating a musical kaleidoscope that sparks curiosity.

Now, if you’re feeling a bit bewildered by the genre-hopping, fear not! Just focus on individual pieces, like a treasure hunt. Appl’s performances are full of surprises and hidden gems.

When it comes to the lieder, Appl’s voice shines with profound gravity and delicate finesse. Three Hugo Wolf lieder enchant with intimacy, revealing his clear baritone voice and a knack for navigating mixed voice with ease. Fanny Hensel’s “Die Nonne” is a tender confession, and we can’t help but be drawn in by the emotion in his delivery.

Then, there’s Schubert—a musical fiesta among friends! “Heldenrösslein” is a carefree, youthful romp, while “Gretchen am Spinnrade” is a whisper-soft portrayal that suddenly bursts with emotion at just the right moment.

Oh, but wait—Schumann’s “Lorelei” is absolutely seductive, and you can’t help but fall under its spell. And don’t miss his captivating storytelling in Eichendordff and Schumann’s “Frühlingsfahrt”—it’s like being caught in a musical whirlwind!

Before we get too caught up in the allure, let’s explore the French repertoire. Appl’s got it all under control, showing off his timbre, pride, masculinity, and flawless diction in pieces like Reynaldo Hahn’s “À Chloris” and Debussy’s “La Chevelure.”

Feeling a little mischievous? Poulenc’s pieces have got you covered! Appl’s spirited approach to “Couplets bachiques,” “Offrande,” and “Serpent” is downright cheeky and delightful.

But hang on tight! We’ll find ourselves in a music hall, where Ivor Gurney, Roger Quilter, and Grieg invite us to revel in their fantastical world. It’s a journey of charm and amusement.

Now, as the curtain falls, Appl leaves us with the heartfelt rendition of Mahler’s “Urlicht” from his Second Symphony. It’s a moment of pure emotion, perfectly accompanied by James Baillieu’s tender piano.

So, there you have it—a musical escapade through Benjamin Appl’s ‘Forbidden Fruit.’ This album might seem like a mixed bag at first, but with a bit of exploration, you’ll uncover a treasure trove of musical delights. Allow yourself to be seduced by Appl’s enchanting voice and embrace the surprises that await you. Happy listening!