ELYSIUM – CAROLYN SAMPSON & JOSEPH MIDDLETON

Carolyn Sampson and Joseph Middleton once again grace us with their celestial artistry in the ethereal realm of “Elysium: A Schubert Recital.” This otherworldly vocal disc delves into Schubert’s hauntingly beautiful songs, exquisitely themed around the afterlife. With an impeccable selection of compositions, Sampson and Middleton masterfully convey the enigmatic journey from this world to the next, leaving listeners mesmerized and captivated.

The journey commences with “Schwestergruss,” a poignant masterpiece where Sampson’s mellifluous voice intertwines with Middleton’s piano, painting a vivid picture of ghostly apparitions and benevolent spirits. This haunting atmosphere sets the stage for a transcendent voyage through the poetic verses of esteemed writers like Rückert, Schiller, and Goethe, all contemplating the mysteries of eternity.

Throughout the recital, the duo flawlessly captures the essence of Schubert’s vision, showcasing their profound connection with the music. “Auf dem Wasser zu singen” transports us to a dreamy world of water and waves, Sampson’s voice dancing effortlessly above Middleton’s delicate accompaniment. But what elevates their rendition is the subtle nod to the transient nature of life as the protagonist vanishes “from the flux of time,” adding an introspective layer to the enchanting melody.

Delving further into the ethereal realms, “Die junge Nonne” confronts the concept of death as a sanctuary from internal turmoil. Middleton’s evocative piano-playing conjures a sense of solace and reflection, while Sampson’s emotive delivery pierces the heart with every somber note.

A true gem awaits in the form of “An den Mond,” D259, wherein Sampson breathes life into Goethe’s verses, revealing the depth and emotions hidden within. The strophic music gently unfolds, serenading our souls with celestial wisdom. An unexpected treasure arises with “An den Mond,” D193, a gem from Schubert’s early years, showcasing his melodic prowess. Sampson and Middleton skillfully navigate through its intricate emotions, creating a resplendent auditory experience.

Sampson’s interpretations, uniquely influenced by the theme, transport listeners through different dimensions of the afterlife. “Elysium,” a piece filled with playful celestial visions akin to Mahler’s Symphony No. 4, infuses the recital with joyous wonder, transporting us to a heavenly haven.

On a transcendent level, Sampson’s vocal prowess and Middleton’s sensitive pianism mesmerize in “Nacht und Träume.” Sampson expertly navigates the shifting dynamics, intertwining the nocturnal imagery with a seamless legato line. In “Du bist die Ruh,” she gracefully builds tension through nuanced tonal shifts, drawing us closer to the essence of tranquility.

Carolyn Sampson and Joseph Middleton’s exceptional artistry crafts an enchanting symphony of voices and piano, inviting us to contemplate the mysteries that lie beyond our mortal realm. This bewitching recital stands testament to the duo’s boundless talent and their unwavering ability to transport listeners to Elysium’s celestial spheres.