ECHO OF BACH – AGATA-MARIA RAATZ

“Echo of Bach” pays homage to the genius of Johann Sebastian Bach while also exploring the creative evolution of violin music through time. Agata-Maria Raatz, a remarkable violinist, takes listeners on a profound voyage with her expressive playing and thoughtful interpretations.

At the heart of the CD lies Bach’s second Partita, which serves as a centerpiece for the album’s exploration. Raatz’s approach to the Allemanda is both serene and meticulous, unraveling its intricate melodies like a finely crafted narrative. Each note is carefully placed, allowing the movement to unfold organically, capturing the listener’s attention from the very beginning.

The Sarabanda, presented as the third movement, receives similar treatment, with Raatz’s detailed interpretation bringing out its emotional depth. The Corrente, which intervenes between the Sarabanda and the Giga, adds a lively contrast, though not without the risk of occasional detours. Raatz, however, manages to navigate these challenges, showcasing her skillful artistry.

In the Giga, Raatz’s brisk approach is complemented by a balanced presentation of her ideas. The movement’s energy is harnessed and channeled, resulting in a performance that is both engaging and technically precise. Yet, it is the grand finale, the Ciaconna, that truly stands as the scale-setting movement. Raatz’s interpretation is fluid and relaxed, and while some nuances may spark different musical ideas, her overarching vision holds the listener’s attention throughout the piece.

Prior to delving into Bach’s world, Raatz pays tribute to Johann Paul Westhoff, a lesser-known composer who likely influenced Bach’s own solo violin compositions. The exploration extends to the modern era with Ysaye’s second sonata, effectively rounding out the Bach-centric framework. Raatz’s performances of these works showcase her exceptional proficiency as a violinist, both musically and technically.

The album also features contemporary compositions, offering a refreshing perspective. “Cette âme a six ailes tout comme les Séraphins” by Xavier Dayer provides a modern echo of Bach’s Ciaconna, highlighting the timeless nature of Bach’s music. Additionally, Raatz, under the pseudonym Clara Jaz, introduces modern expressions intertwined with traditional techniques, showcasing her versatility and artistic exploration.

Raatz’s choice of the Jean-Baptiste Vuillaume violin enhances the entire experience, with its technical brilliance and rich tonal palette. The violin becomes an extension of Raatz’s musicality, allowing her to convey not only technical mastery but also a profound creative spirit.

“Echo of Bach” is an enriching and immersive album that takes listeners on a captivating journey through time, masterfully guided by Agata-Maria Raatz’s interpretive finesse and artistic innovation. With each track, Raatz invites us to witness the evolution of violin music, connecting the past, present, and future in a harmonious musical tapestry.