ISATA KANNEH-MASON

A Pianist Redefining Classical Tradition Through Innovation

Isata Kanneh-Mason has rapidly become a defining figure in the classical music world, celebrated for her distinctive approach to both the canon and lesser-known repertoire. Her artistic trajectory is remarkable, not only because of her technical brilliance but for her dedication to elevating the voices of often-overlooked composers, particularly women in classical music.

Born into a musically gifted family, with her brother Sheku Kanneh-Mason achieving fame as a cellist, Isata has carved her own path on the international stage. Her debut album Romance (2019), dedicated to the music of Clara Schumann, was a bold introduction that immediately set her apart. Not merely content to interpret the well-known works of male composers, Isata chose to celebrate Clara Schumann during the bicentenary of her birth. Through this project, Isata displayed her deep respect and understanding of Schumann’s music, balancing the technical demands of the compositions with a warm emotional depth. The album was met with acclaim and topped the UK Classical Artist Chart, an impressive feat for a debut recording. Critics noted her “lyrical and authoritative” playing and praised her for bringing Schumann’s lesser-known works into the spotlight​.

Beyond Clara Schumann, Isata has demonstrated a commitment to exploring diverse repertoires. She followed up Romance with albums such as Summertime (2021), which tackled 20th-century American works, and her recent Mendelssohn (2024) album, which showcases compositions by both Felix and Fanny Mendelssohn. Through her choice of projects, she is actively contributing to the re-evaluation of composers who have been underappreciated due to gender or historical circumstance​.

What makes Isata truly captivating as an artist is her ability to traverse these varied sound worlds without losing her unique interpretative voice. Whether it’s the romantic flair of Clara Schumann or the contrasting dynamics of Prokofiev, her performances are marked by a combination of grace, intelligence, and technical precision. She moves seamlessly between solo performances, chamber music collaborations, and concertos with leading orchestras around the world. Her performance style is often praised for balancing virtuosic flair with subtle emotional nuance—a rare skill that has helped her stand out in an increasingly crowded classical music scene​.

In addition to her performances, Isata’s collaborations with her brother Sheku are particularly noted. Together, they bring a fresh energy to the recital stage, their familial connection lending an intimate quality to their interpretations of works from the classical and romantic eras​.

Isata Kanneh-Mason’s rise is a testament not only to her prodigious talent but also to her willingness to take creative risks and champion underrepresented voices. In doing so, she is not only preserving the classical tradition but also expanding it for future generations.

ALICE SARA OTT

A Portrait of Artistic Excellence

Alice Sara Ott, a celebrated German-Japanese pianist, has become a luminous figure in the world of classical music. Born in Munich in 1988, Ott discovered her passion for the piano at a remarkably young age. Her journey into music started at just three years old, inspired by the profound realization that music transcends the boundaries of spoken language. This early revelation sparked a commitment to music that has defined her career.

Ott’s remarkable talent was evident from her early performances, leading her to study under renowned teachers and rapidly gain attention on the international stage. Her career took a significant leap in 2008 when she stepped in for Murray Perahia at short notice, performing with notable poise and skill. This performance not only showcased her technical prowess but also her ability to connect deeply with the audience through her expressive interpretations.

Throughout her career, Alice Sara Ott has collaborated with some of the world’s leading orchestras and conductors, including the Berlin Philharmonic, the London Symphony Orchestra, and Gustavo Dudamel, among others. Her discography is a testament to her versatility and broad musical interests, spanning works from Chopin to Debussy, and innovative collaborations like those with Icelandic musician Ólafur Arnalds.

Her recordings with Deutsche Grammophon have been particularly influential, highlighting her unique approach to classical standards as well as contemporary pieces. Albums like “Echoes of Life,” which features Chopin’s Preludes interspersed with modern compositions, showcase her ability to blend classical and contemporary music, creating engaging listening experiences that resonate with a wide audience.

Beyond her musical achievements, Ott has also engaged in artistic endeavors outside the concert hall. She has designed a line of bags for a premium German fashion brand and served as a global brand ambassador for high-profile companies, merging her artistic expression with fashion and lifestyle.

Alice Sara Ott’s contributions to music and culture are characterized by her continuous exploration of artistic boundaries and her commitment to sharing her deep love of music with audiences around the world. Her career not only illustrates her outstanding abilities as a pianist but also her role as an ambassador for classical music in the modern era.

MIRGA GRAŽINYTĖ-TYLA

Symphony of Progress

In an era where the classical music landscape is both rich in heritage and ripe for innovation, Mirga Gražinytė-Tyla emerges as a luminous beacon, guiding this venerable art form into a new era. Her journey from the historic streets of Vilnius, Lithuania, to the grand stages of the world’s most prestigious concert halls is a testament to her profound dedication and unique musical vision. Born into a family where music flowed as freely as the air they breathed, Gražinytė-Tyla’s early immersion in music set the stage for a career marked by pioneering achievements and a relentless pursuit of artistic excellence.

Gražinytė-Tyla’s ascent to the musical zenith was marked by her groundbreaking appointment as the Music Director of the City of Birmingham Symphony Orchestra (CBSO) in 2016. With this role, she not only entered the annals of history as the first female conductor to lead this illustrious ensemble but also embarked on a journey that would see the CBSO reach new heights under her stewardship. Her tenure, characterized by a blend of daring musical choices and a deep respect for the orchestra’s storied tradition, was met with both critical and public acclaim, culminating in a series of performances that underscored her reputation as one of the most dynamic and compelling conductors of her generation.

Gražinytė-Tyla’s recording projects, particularly her partnership with Deutsche Grammophon, have served as a conduit for her innovative spirit, bringing lesser-known works to the forefront alongside celebrated classics. Her debut recording, featuring the symphonies of Mieczysław Weinberg, not only garnered international acclaim but also highlighted her commitment to exploring the uncharted territories of the musical world. This project, among others, showcases her ability to weave a narrative that is both enlightening and deeply moving, inviting listeners to embark on a journey through the landscapes of sound and emotion.

Beyond the confines of the concert hall, Gražinytė-Tyla has distinguished herself on the global stage, guest conducting with some of the world’s leading orchestras. From the Los Angeles Philharmonic to the Vienna Chamber Orchestra, her engagements reflect a versatile repertoire and an ability to connect with musicians and audiences across cultural and geographical divides. Her operatic endeavors, including critically acclaimed productions in Munich, Salzburg, and Berlin, reveal a profound understanding of the dramatic and expressive possibilities of music, further solidifying her status as a versatile and visionary conductor.

Mirga Gražinytė-Tyla’s life off the podium is as rich and harmonious as the music she conducts. Residing in Salzburg with her partner and children, she embodies the modern maestro, seamlessly balancing the demands of a globe-trotting career with the rhythms of family life. Her personal narrative is a reminder that at the heart of every performance, every note, and every applause lies the universal pursuit of connection—between the music, the musician, and the listener.

As we reflect on Mirga Gražinytė-Tyla’s indelible impact on the classical music landscape, it becomes clear that her legacy transcends the accolades and the milestones. Her journey is a beacon for future generations of musicians and music lovers, a testament to the transformative power of music when wielded by a maestro who dares to dream, to challenge, and to inspire. In the symphony of progress that is classical music, Gražinytė-Tyla’s baton writes a narrative of innovation, tradition, and boundless passion—a melody that resonates across the ages, inviting us all to listen, to feel, and to imagine what lies beyond the horizon.

PATRICIA KOPATCHINSKAJA

The Maverick Violinist Redefining Classical Music

Patricia Kopatchinskaja, born in March 1977 in Chișinău, Moldova, is a violinist celebrated for her dynamic and unconventional approach to classical music. She comes from a lineage of musicians; her mother was a violinist, and her father a cimbalom player. Her early exposure to a wide range of musical traditions laid the foundation for her eclectic and explorative musical style.

Kopatchinskaja’s musical journey is as unique as her performances. She spent her formative years in various countries due to her family’s movements, experiencing diverse musical cultures. This exposure is reflected in her versatile repertoire, which ranges from baroque and classical works often played on gut strings, to contemporary masterworks and new commissions.

Her career is marked by numerous first performances, showcasing her commitment to contemporary music and her role as a muse for modern composers. Kopatchinskaja has premiered works by a variety of composers, demonstrating her versatility and eagerness to push the boundaries of classical music.

Kopatchinskaja’s approach to music is characterized by an intensity and expressiveness that is rare. Critics have lauded her performances as full of personality, individuality, and panache. Her interpretation of traditional pieces, such as Tchaikovsky’s Violin Concerto, is noted for its distinctiveness, breathing new life into well-known compositions.

Notably, Kopatchinskaja doesn’t limit herself to the violin. She has used her voice in several compositions, displaying a wide array of artistic talents. Her performances often include elements of theatrics, adding a visual dimension to her music that captivates audiences.

Kopatchinskaja’s instrument choices are as diverse as her musical selections. She plays a Giovanni Francesco Pressenda violin from 1834, which is known for its colorful and viola-like sound quality. In period-instrument environments, she uses a Ferdinando Gagliano violin from around 1780, equipped with gut strings and appropriate bows.

As an artist, Kopatchinskaja is constantly in motion, performing with leading orchestras and at prestigious venues and festivals worldwide. Her collaborations with various artists and orchestras, as well as her role as an Artistic Partner with The Saint Paul Chamber Orchestra, highlight her importance in the classical music scene.

Her discography reflects her musical curiosity and excellence, with several award-winning recordings to her name. These recordings, which span a broad range of styles and periods, have received critical acclaim and numerous accolades, including a Grammy.

Patricia Kopatchinskaja stands out in the classical music world for her bold interpretations and fearless performances. Her artistry goes beyond mere technical mastery; she brings an emotional depth and a provocative edge to her music, continually challenging and reshaping the conventional boundaries of classical music.

EMMANUEL PAHUD

Master of the Flute, Bridging Centuries

Emmanuel Pahud, born on January 27, 1970, in Geneva, Switzerland, is renowned as one of the leading flutists of our era. His journey in music began in an environment far removed from the classical world – his family was not musically inclined. However, at the age of four, Pahud encountered the flute through his neighbors in Rome, sparking a passion that would define his career.

Pahud’s early life was characterized by frequent relocations due to his father’s job, moving from Geneva to Baghdad, Paris, Madrid, and finally Rome. It was in Rome where he first heard and was drawn to the flute, inspired by his neighbor’s performance of Mozart’s Flute Concerto No. 1. This encounter led him to begin flute lessons, first with his neighbor and then with his neighbor’s father.

Pahud’s formal music education started in Brussels at the Music Academy of Uccle, followed by advanced studies with Carlos Bruneel. His talent was recognized early, with Pahud winning the National Competition of Belgium and performing with the National Orchestra of Belgium at a young age. This early success was a harbinger of his future achievements.

He went on to study at the Conservatoire de Paris, learning from notable flautists like Michel Debost, Alain Marion, and Pierre Artaud. During his studies, Pahud won several prestigious competitions, including those in Duino, Kobe, and the Geneva International Music Competition. These victories led to his appointment as the principal flutist in the Basel Radio Symphony and later the Munich Philharmonic.

Pahud’s career reached a turning point when he became the principal flutist of the Berlin Philharmonic Orchestra (BPO) at the age of 22, making him the youngest player in the orchestra at the time. He briefly left the BPO in 2000 to teach at the Conservatoire de Musique de Genève and perform worldwide but returned in 2002 under the direction of Sir Simon Rattle.

Throughout his career, Pahud has been celebrated for his versatility, effortlessly transitioning between different musical styles. He likens himself to a chameleon, adapting his playing style to match the color and intent of the music. This versatility has led him to commission and premiere new works, thereby contributing significantly to the flute repertoire. Pahud’s discography reflects his wide-ranging musical interests, spanning baroque, classical, and contemporary pieces.

Pahud’s dedication to music extends beyond performing. He has been a member of the Media Board of the BPO and has won numerous awards for his recordings. Recognized globally for his contributions to music, Pahud was awarded the Chevalier dans l’Ordre des Arts et des Lettres and the Léonie Sonning Music Prize.

Emmanuel Pahud’s story is one of relentless passion and unparalleled dedication to the flute. From a non-musical family to the heights of the classical music world, his journey is a testament to the power of talent and perseverance.

CECILIA BARTOLI

The Voice that Revives Centuries

Cecilia Bartoli, born on June 4, 1966, in Rome, Italy, stands out as one of the most distinguished mezzo-sopranos of our time. Her journey in music was almost predestined, being born to professional opera singers. At the tender age of nine, she graced the stage for the first time in Puccini’s “Tosca,” playing the shepherd boy. Her education at the renowned Conservatorio di Santa Cecilia in Rome further honed her innate talents.

Bartoli’s career, marked by a string of high-profile debuts, truly took off in her early 20s. She debuted at the Arena di Verona at 21, appeared at the Opéra Bastille in 1990, and graced the stage of La Scala in 1991. By the age of 30, Bartoli had made her debut at the Metropolitan Opera, solidifying her position as a leading figure in the world of opera.

Renowned for her exceptional interpretations of Baroque and early Classical music, Bartoli has made significant contributions to the revival of these genres. Her work with composers like Gluck, Vivaldi, Haydn, and Salieri, and her portrayal of Cleopatra in Handel’s “Giulio Cesare” are exemplary. Her project “Mission,” which brought to life the works of the lesser-known Baroque composer Agostino Steffani, exemplifies her dedication to musical archaeology. Bartoli’s pursuit to unearth and revive forgotten masterpieces has been a hallmark of her career, showcasing her passion for exploring the depths of musical history.

Bartoli’s versatility extends to the Italian Romantic era and bel canto style, particularly through her study and recording of the repertoire of Maria Malibran, a legendary singer of the early 19th century. Her performances of Bellini’s “Norma” and roles in operas by Rossini, among others, exhibit her mastery of this challenging vocal style.

Her association with prestigious conductors like Herbert von Karajan, Daniel Barenboim, and Nikolaus Harnoncourt from an early stage in her career speaks volumes of her talent. Bartoli’s collaborations with esteemed period instrument orchestras and her artistic leadership roles, notably with the Vienna Philharmonic Orchestra, highlight her influence in the classical music world.

Bartoli’s career is not just limited to her singing; she has also taken on significant administrative roles. In 2012, she became the artistic director of the Salzburg Whitsun Festival, revamping its programming and boosting its international presence. More recently, in a historic move, she became the director of the Opéra de Monte-Carlo, being the first woman to hold this prestigious position.

Her personal life reflects a balance between her professional excellence and a harmonious private sphere. Cecilia Bartoli resides with her husband, Swiss baritone Oliver Widmer, dividing her time between Zollikon in Switzerland and Rome.

Throughout her career, Bartoli has been honored with numerous awards and accolades, reflecting her contributions to the arts and her status as a leading figure in classical music. Her journey is a testament to her passion for music, her commitment to reviving forgotten works, and her continuous pursuit of excellence on the stage and beyond.

BARBARA HANNIGAN

The Versatile Virtuoso – Blending Conducting and Singing in Contemporary Opera

In the dynamic and ever-evolving world of classical music, soprano and conductor Barbara Hannigan stands out as a beacon of innovation and versatility. Her unique dual role in the realms of contemporary opera not only breaks traditional boundaries but also introduces a fresh perspective on performance and interpretation.

Hannigan’s journey from a world-renowned soprano to a respected conductor is a tale of passion and perseverance. Known for her exceptional vocal skills, particularly in contemporary opera, Hannigan has extended her artistry to the podium, seamlessly blending the roles of a conductor and a soprano. This rare combination has earned her acclaim in the world of classical music, where she is seen as a trailblazer.

Hannigan’s repertoire spans a wide range of contemporary composers. She has a special affinity for the works of Henri Dutilleux, whose opera “Correspondances” she performed entirely by heart, a feat that deeply moved the composer. Her approach to music is physical and emotional, embodying the pieces she performs, and transforming them into extensions of her artistic expression.

In her performances, Hannigan is known for her dynamic presence, both as a conductor and as a vocalist. Her ability to transition fluidly between conducting an orchestra and delivering a vocal performance is nothing short of mesmerizing. In pieces like Mozart’s concert aria “Vado, ma dove? O dei!” she begins conducting in a traditional pose, only to spin around gracefully and assume the role of the soloist, all while maintaining a deep awareness of the orchestra.

Hannigan’s artistry is not confined to traditional interpretations. She often explores challenging and avant-garde pieces, bringing a unique energy and insight to her performances. Her rendition of contemporary works, such as those by Ligeti, has been praised for its precision and emotional depth. Her performances are characterized by a keen sense of exploration and a commitment to pushing the boundaries of what is possible in classical music.

As a conductor, Hannigan is known for her fluid and expressive style. She often appears to be dancing through the music, sculpting the sound and silence with her movements. This approach not only captivates audiences but also brings out the best in the orchestras she leads.

Barbara Hannigan’s dual role as a soprano and conductor, along with her commitment to contemporary opera, makes her a unique and influential figure in the classical music world. Her performances are more than just exhibitions of technical skill; they are profound experiences that resonate with audiences and fellow musicians alike. As she continues to break new ground, Hannigan remains a luminous and inspiring figure in the evolving landscape of opera and classical music.

PAUL LEWIS

Master of the Keys, Interpreter of Emotions

Paul Lewis, a distinguished British pianist, has made a significant impact on the classical music world with his profound interpretations, particularly of Schubert and Beethoven. His journey into music began with cello lessons at the age of eight, and he fondly recalls being part of an orchestra as one of his strongest musical memories. Despite admitting to being a “dreadful cellist,” these early experiences deeply influenced his musical perspective, especially his unique way of hearing Brahms’s Second Symphony “from the bottom up” due to his cello background (VAN Magazine).

Lewis’s approach to piano performance is marked by a deep respect for the composer’s intent, focusing on conveying the emotions and messages within the music. This philosophy was evident in his performances at Wigmore Hall, where his interpretation of Schubert’s sonatas was described as an uninterrupted tapestry of sonorities, colors, and moods. His playing of the Andante from Schubert’s sonata, for instance, was noted for its balance of tranquility and percussive outbursts, reflecting a dialectic between doubt and hope, uncertainty and affirmation (The Arts Desk).

His recordings, particularly of Beethoven’s piano sonatas, have been widely acclaimed. His interpretation of the Beethoven sonatas, recorded between 2005 and 2008, has been described as one of the finest cycles in recent memory. Lewis’s attention to contrapuntal and textural awareness in these recordings demonstrates his meticulous approach to music (Presto Music).

In another performance, Lewis’s rendition of Schubert at Turner Sims was praised for its storytelling intimacy and theatrical elements. His ability to convey the whimsical and dreamlike qualities in Schubert’s work, while maintaining an unerring technical assurance, was particularly noted. His commitment to Schubert’s sonatas was described as so profound that they could almost have been written with his temperament in mind (Bachtrack).

Throughout his career, Lewis has also been vocal about the importance of music education and access to musical resources. He expressed strong opinions on the cuts to school music education and library funding, emphasizing the significance of his formative experiences at Chetham’s School of Music and local libraries in discovering music (VAN Magazine).

Paul Lewis’s career, marked by his thoughtful and emotive piano playing, continues to leave a lasting impression on the classical music landscape. His deep connection to the works he performs, combined with his commitment to musical understanding and education, makes him a standout artist in his field.

BENJAMIN APPL

In the dynamic world of classical music, few voices resonate with the depth and artistry of Benjamin Appl. As a baritone who effortlessly bridges the gap between traditional and contemporary, Appl has carved out a niche for himself in the hearts of classical music enthusiasts.

Born in Germany, Benjamin Appl’s musical journey is one marked by both natural talent and disciplined training. His early exposure to music through singing in the renowned Regensburger Domspatzen choir laid a solid foundation for his future career. Appl went on to study at the Hochschule für Musik und Theater München and later honed his skills under the tutelage of the celebrated singer Dietrich Fischer-Dieskau.

Appl’s voice, a rich and nuanced baritone, has become his signature, captivating audiences worldwide. His ability to imbue each performance with emotional depth and impeccable technique sets him apart. His repertoire is diverse, encompassing a range of styles from classical lieder to modern compositions.

Appl’s rise to prominence was bolstered by his selection as a BBC New Generation Artist from 2014 to 2016, which led to numerous performances and recordings that showcased his versatility. His album “Heimat,” featuring a collection of lieder, received widespread acclaim for its thoughtful interpretation and sublime vocal quality.

On stage, Appl is a force to be reckoned with, known for his compelling performances that are both visually and sonically captivating. His concert appearances span prestigious venues such as the Wigmore Hall in London and the Concertgebouw in Amsterdam. Beyond live performances, Appl is also a regular presence on radio broadcasts and has recorded extensively, bringing his unique interpretations to a global audience.

Committed to the future of classical music, Appl is not just a performer but also an educator. He engages in masterclasses and workshops, sharing his knowledge and passion with aspiring singers. His approach to music education highlights his belief in the importance of nurturing new talent and keeping the classical tradition alive and evolving.

Today, Benjamin Appl stands as a beacon of modern classical music. His career is a testament to his dedication to his craft and his ability to adapt and innovate within the genre. As he continues to tour, record, and teach, Appl not only upholds the rich tradition of classical singing but also pushes its boundaries, inviting new audiences to experience the timeless beauty of classical music.

As we watch his career unfold, Benjamin Appl remains a name synonymous with excellence in the classical music world, embodying the spirit of both a bygone era and a promising future.

In an era that is witnessing the evolution of classical music, Benjamin Appl’s role as a modern baritone is not just to preserve the legacy of the past but to invigorate it with contemporary sensibilities. His journey is a harmonious blend of respect for tradition and a bold vision for the future, making him a standout figure in the world of classical music.

RAPHAËL HEUILLÂTRE

Charting a New Course in Classical Guitar

In the classical guitar arena, Raphaël Feuillâtre stands as a dynamic and compelling figure. This young French guitarist, born in 1996 in Djibouti, embarked on his musical journey at a remarkably young age. His initial fascination with the guitar began with a simple toy at age seven, a humble beginning that set him on a path to the Cholet Conservatory where he honed his skills under the guidance of Hacène Addadi​​​​.

Feuillâtre’s musical voyage took him to the esteemed conservatories of Nantes and Cholet in southern Brittany. Here, under the tutelage of influential figures like Michel Grizard, Judicaël Perroy, and Tristan Manoukian, Feuillâtre developed his unique artistic voice and refined his technique. This period of rigorous training and artistic exploration culminated in a significant achievement: winning the 2018 Guitar Foundation of America International Concert Artist Competition, a victory that catapulted him into the limelight in the United States and solidified his burgeoning reputation in Europe​​​​.

Feuillâtre’s musical repertoire is impressively diverse, embracing compositions from the Baroque period to modern times, including works by Bach, Rameau, Dyens, and Assad. His debut album, a blend of classical and contemporary pieces, exemplifies his skill in rendering historical compositions with a contemporary flair​​. His release for JSM label was met with acclaim, demonstrating his ability to interweave classical sensibilities with modern interpretations​​.

The year 2022 marked a pivotal moment in Feuillâtre’s career as he joined the ranks of Deutsche Grammophon, a move that speaks volumes about his stature in the classical guitar world. His debut with the label, “Visages Baroques,” showcases his mastery in merging traditional Baroque pieces with major Bach compositions, displaying his nuanced understanding of the genre. His renditions, particularly of Bach’s works, highlight his dexterity and expressive capacity, lending a new dimension to these classic compositions​​​​.

Feuillâtre’s interpretation of classical guitar pieces is noted for its imaginative and fresh approach. His performances are often lauded for adding a new layer of enjoyment to the original works, showcasing his ability to fuse traditional fidelity with innovative reimagining. This distinctive style has not only attracted critical acclaim but has also appealed to a wide range of audiences, affirming Feuillâtre as a unique voice in the classical guitar community​​.

Off the stage, Feuillâtre demonstrates his dedication to music education by teaching at the École municipale de musique de Villeneuve-la-Garenne, near Paris. His commitment to teaching underscores his passion for nurturing future talents and contributing to the evolution of classical guitar music​​.

Raphaël Feuillâtre emerges as an influential and innovative figure in the realm of classical guitar. His journey from a young enthusiast to a globally recognized virtuoso is a narrative of dedication, skill, and creative transformation. As he continues to charm audiences and inspire aspiring musicians, Feuillâtre’s contribution to the classical guitar landscape signifies a new era of artistic brilliance and exploration.