BRUCKNER SYMPHONY NO. 4 IN E FLAT MAJOR

In their latest release on Onyx, the Royal Liverpool Philharmonic Orchestra, led by conductor Domingo Hindoyan, offers a distinctive interpretation of Bruckner’s Symphony No. 4. While entering a crowded field of recordings for such a celebrated work, this rendition stands out for its unique qualities and refreshing approach. 

To begin with, the technical excellence displayed by the orchestra is commendable. The solo performances, especially in the slow movement, showcase a high level of sensitivity and skill. The string section’s impeccable articulation and unity, even in the most exposed passages, contribute to a polished and cohesive overall sound. Hindoyan’s mastery of the extended dynamic range and clear understanding of the structural nuances in each movement further enhance the performance. 

What sets this recording apart is Hindoyan’s intentional departure from the traditional weighty and full-bodied sound associated with Bruckner’s Symphony No. 4. Instead, the orchestra, in collaboration with the conductor, presents a more folksy and less religious interpretation, a refreshing departure from the norm. The first movement, with its infectious lilt, transports the listener to a countryside setting, offering a unique perspective on the familiar composition. 

While the deliberate choice to emphasize a folksy character sacrifices some of the expected grandiosity, it introduces a charming and nuanced quality to the performance. Hindoyan’s clear intention to portray the music as more country than city allows for a fresh perspective on Bruckner’s work, providing an engaging and accessible experience for listeners. 

The meticulous execution and well-managed tempos in the first movement demonstrate a commitment to precision. The connection to Schubert in the second movement is handled with grace, emphasizing the beauty of nature. While some may miss a more overt sense of spiritual journey, Hindoyan’s subtle approach allows for a different, more introspective exploration of the work. 

The Scherzo, with its tremendous excitement and thrilling playing, showcases the orchestra’s capabilities under Hindoyan’s direction. The Finale stands out as a highlight, where Hindoyan’s structural mastery brings a sweeping vision to the symphony, making it a compelling and satisfying conclusion to the recording. 

The Royal Liverpool Philharmonic Orchestra and Domingo Hindoyan’s interpretation of Bruckner’s Symphony No. 4 offers a refreshing and positive departure from the norm. While some might miss the traditional weightiness, this recording presents a captivating and unique perspective, making it a valuable addition to the extensive catalog of Bruckner recordings.