DEBUSSY · RAMEAU – VÍKINGUR ÓLAFSSON

Víkingur Ólafsson’s album, featuring the works of two giants of French keyboard music, Rameau and Debussy, is a true masterpiece that continues to showcase his exceptional pianism and impeccable taste in programming. Following the resounding success of his Bach album, Ólafsson once again proves his musical prowess with this captivating exploration of the contrasting yet harmonious worlds of Rameau and Debussy.

The album opens with Debussy’s delicate yet evocative “La damoiselle élue – Prélude,” setting the stage for the journey ahead. From the very first notes, Ólafsson’s profound understanding of Debussy’s intricate textures and dreamlike atmospheres is evident. Moving through the collection, Ólafsson’s interpretation of the “Estampes – Jardins sous la pluie” showcases his ability to conjure images with his playing, making the raindrops come alive on the keyboard.

The inclusion of extracts from “Children’s Corner” offers a charming respite, with Ólafsson capturing the innocence and playfulness of these pieces. His rendition of “Préludes I – Des pas sur la neige” and “La fille aux cheveux de lin” is marked by sensitivity and a profound connection to Debussy’s introspective universe.

Ólafsson’s command over the keyboard truly shines in his performance of Rameau’s “Pièces de clavecin.” Despite the historic disparity between the harpsichord and the modern piano, Ólafsson expertly navigates Rameau’s ornate compositions, infusing them with a unique pianistic touch while preserving their Baroque essence. The contrast between Rameau’s intricate counterpoint and Debussy’s impressionistic colors is a testament to Ólafsson’s versatility as a pianist.

One of the highlights of the album is Ólafsson’s take on Debussy’s “Preludes II – Ondine.” His delicate touch and nuanced phrasing bring out the water nymph’s allure and mystique, creating an enchanting auditory experience. Similarly, his performance of Debussy’s “Images I – Hommage à Rameau” pays a fitting tribute to the connection between the two composers, allowing the listener to perceive the subtle threads that tie their music together.

In the final segment of the album, Rameau’s “The Arts and the Hours” serves as a magnificent conclusion. Ólafsson’s masterful interpretation highlights the depth of emotion present in Rameau’s compositions, a reminder of the enduring power of Baroque music.

Throughout the recording, Ólafsson’s vision of Rameau and Debussy is apparent, driven by a genuine love for their music. He manages to bridge the gap between two distinct eras, revealing the common threads that link these composers across time and style. His ability to capture the essence of each piece while infusing it with his unique artistic sensibility is truly remarkable.

Víkingur Ólafsson’s exploration of Debussy and Rameau on this DG release is an auditory delight. His extraordinary pianism, combined with his thoughtful programming, brings these composers to life in ways that are both faithful to their intentions and refreshingly innovative. This album stands as a testament to Ólafsson’s status as a pianist of unparalleled talent and an artist who continues to push the boundaries of interpretation.