BACH. FRENCH SUITE NO. 5 – BRUCE LIU

Bruce Liu’s latest release on Deutsche Grammophon presents a delightful rendition of Johann Sebastian Bach’s French Suite No. 5, showcasing the pianist’s thoughtful artistry and superb playing. Among Bach’s three collections of keyboard suites, the French Suites, dating from the early 1720s, may be the most subtle in charm, yet they possess an unassuming melodic lightness that captivates the listener.

In this recording, Liu delivers a wonderfully poised ‘Sarabande’ and a winning concluding ‘Gigue’, which has long been hailed as one of Bach’s most popular keyboard movements. Liu’s performances are marked by a thoughtful approach, beautifully shaping each phrase while making full use of the piano’s contrasts and phrasing possibilities. At the same time, he pays homage to the harpsichord tradition, incorporating appropriately spread chords and occasional delays between notes, reminiscent of the instrument’s distinct sound.

Liu’s treatment of first section repeats, particularly in the ‘Allemande’ and ‘Sarabande’, displays brilliant imagination, infusing these sections with a sense of fresh interpretation. It is only regrettable that he does not repeat the second sections, as his artistry shines brightest during these moments.

The pianist’s ornamentation is graceful and well-executed, although some listeners may notice a slight lack of consistency. Nevertheless, Liu’s performance of the concluding ‘Gigue’ is both pianistic and immensely enjoyable, showcasing his technical proficiency and musical flair.

Overall, Bruce Liu’s carefully conceived and superbly played reading of Bach’s French Suite No. 5 offers a vast amount of enjoyment for listeners. With his deep understanding of the music and a keen sense of expression, Liu delivers a rendition that stands out among the many recordings of this cherished composition. This album is a true testament to the pianist’s artistry and marks another successful addition to his growing discography.