EMMANUEL PAHUD

CD Classical January 30, 2024

EMMANUEL PAHUD

Master of the Flute, Bridging Centuries

Emmanuel Pahud, born on January 27, 1970, in Geneva, Switzerland, is renowned as one of the leading flutists of our era. His journey in music began in an environment far removed from the classical world – his family was not musically inclined. However, at the age of four, Pahud encountered the flute through his neighbors in Rome, sparking a passion that would define his career.

Pahud’s early life was characterized by frequent relocations due to his father’s job, moving from Geneva to Baghdad, Paris, Madrid, and finally Rome. It was in Rome where he first heard and was drawn to the flute, inspired by his neighbor’s performance of Mozart’s Flute Concerto No. 1. This encounter led him to begin flute lessons, first with his neighbor and then with his neighbor’s father.

Pahud’s formal music education started in Brussels at the Music Academy of Uccle, followed by advanced studies with Carlos Bruneel. His talent was recognized early, with Pahud winning the National Competition of Belgium and performing with the National Orchestra of Belgium at a young age. This early success was a harbinger of his future achievements.

He went on to study at the Conservatoire de Paris, learning from notable flautists like Michel Debost, Alain Marion, and Pierre Artaud. During his studies, Pahud won several prestigious competitions, including those in Duino, Kobe, and the Geneva International Music Competition. These victories led to his appointment as the principal flutist in the Basel Radio Symphony and later the Munich Philharmonic.

Pahud’s career reached a turning point when he became the principal flutist of the Berlin Philharmonic Orchestra (BPO) at the age of 22, making him the youngest player in the orchestra at the time. He briefly left the BPO in 2000 to teach at the Conservatoire de Musique de Genève and perform worldwide but returned in 2002 under the direction of Sir Simon Rattle.

Throughout his career, Pahud has been celebrated for his versatility, effortlessly transitioning between different musical styles. He likens himself to a chameleon, adapting his playing style to match the color and intent of the music. This versatility has led him to commission and premiere new works, thereby contributing significantly to the flute repertoire. Pahud’s discography reflects his wide-ranging musical interests, spanning baroque, classical, and contemporary pieces.

Pahud’s dedication to music extends beyond performing. He has been a member of the Media Board of the BPO and has won numerous awards for his recordings. Recognized globally for his contributions to music, Pahud was awarded the Chevalier dans l’Ordre des Arts et des Lettres and the Léonie Sonning Music Prize.

Emmanuel Pahud’s story is one of relentless passion and unparalleled dedication to the flute. From a non-musical family to the heights of the classical music world, his journey is a testament to the power of talent and perseverance.

BARTÓK PIANO CONCERTOS – AIMARD & SALONEN

CD Classical January 27, 2024

BARTÓK PIANO CONCERTOS – AIMARD & SALONEN

Aimard and Salonen Shine with a Fresh Perspective on Bartók’s Piano Concertos

Richard Philipps, February 2023

Esa-Pekka Salonen’s latest foray into the world of Béla Bartók’s piano concertos, featuring the virtuosic Pierre-Laurent Aimard as the soloist, unveils a distinctive take on these iconic works. Aimard and Salonen, both well-versed in the intricacies of 20th-century modernist compositions, offer a new perspective that melds technical brilliance with a refined sensitivity to Bartók’s musical palette.

The album opens with Concerto No. 1, revealing an unexpected lyrical quality that breathes fresh life into Bartók’s usually intense and complex music. The first movement flows with an unusual melodic fluidity while maintaining a firm grasp on the underlying motivic structures. Aimard and Salonen seem committed to tempering the raw power of the concerto, exemplified in the outer movements. The central Andante strikes a balance between rhythmic precision and a subdued yet engaging atmosphere, displaying lean textures and clear counterpoint.

In the Second Concerto, Aimard’s collaboration with the San Francisco Symphony Orchestra’s wind section shines brilliantly. The first movement exudes a delightful playfulness and boisterous energy, reminiscent of Stravinsky’s vibrant compositions. In contrast, the Adagio captivates with its hypnotic and almost cinematic stillness. The final movement, with its vigorous rhythmic intensity, remains coherent and controlled throughout, avoiding any descent into chaos.

However, it is in Concerto No. 3 that the true revelation unfolds. Composed for Bartók’s wife, Ditta, this concerto showcases the composer’s innate talent despite his deteriorating health during its creation. Aimard and Salonen bring out the naturalness and ease in Bartók’s writing, reminiscent of great composers like Beethoven and Ellington. The first movement exudes pure elegance, with shades of Bach’s influence and neoclassical touches that link it to the approach taken in Concerto No. 1’s Allegro moderato. The finale, though slightly more deliberate in tempo, remains crisply defined in its contrapuntal lines. The Adagio religioso is a delicate gem, its pristine fragility evoking deep emotional resonance.

In conclusion, this album presents a unique and compelling perspective on Bartók’s piano concertos. Aimard’s exceptional virtuosity, coupled with Salonen’s adept direction of the San Francisco Symphony Orchestra, breathes new life into these canonical works. The recording showcases a marriage of musicality, technical prowess, and intellectual insight that benefits all parties involved. Most importantly, it unveils the hidden mellifluousness in Bartók’s compositions, even in their most rugged moments. Salonen’s distinctive touch and Aimard’s interpretive brilliance make this album a must-listen for both connoisseurs of Bartók and those discovering his music for the first time.

CECILIA BARTOLI

CD Classical January 19, 2024

CECILIA BARTOLI

The Voice that Revives Centuries

Cecilia Bartoli, born on June 4, 1966, in Rome, Italy, stands out as one of the most distinguished mezzo-sopranos of our time. Her journey in music was almost predestined, being born to professional opera singers. At the tender age of nine, she graced the stage for the first time in Puccini’s “Tosca,” playing the shepherd boy. Her education at the renowned Conservatorio di Santa Cecilia in Rome further honed her innate talents.

Bartoli’s career, marked by a string of high-profile debuts, truly took off in her early 20s. She debuted at the Arena di Verona at 21, appeared at the Opéra Bastille in 1990, and graced the stage of La Scala in 1991. By the age of 30, Bartoli had made her debut at the Metropolitan Opera, solidifying her position as a leading figure in the world of opera.

Renowned for her exceptional interpretations of Baroque and early Classical music, Bartoli has made significant contributions to the revival of these genres. Her work with composers like Gluck, Vivaldi, Haydn, and Salieri, and her portrayal of Cleopatra in Handel’s “Giulio Cesare” are exemplary. Her project “Mission,” which brought to life the works of the lesser-known Baroque composer Agostino Steffani, exemplifies her dedication to musical archaeology. Bartoli’s pursuit to unearth and revive forgotten masterpieces has been a hallmark of her career, showcasing her passion for exploring the depths of musical history.

Bartoli’s versatility extends to the Italian Romantic era and bel canto style, particularly through her study and recording of the repertoire of Maria Malibran, a legendary singer of the early 19th century. Her performances of Bellini’s “Norma” and roles in operas by Rossini, among others, exhibit her mastery of this challenging vocal style.

Her association with prestigious conductors like Herbert von Karajan, Daniel Barenboim, and Nikolaus Harnoncourt from an early stage in her career speaks volumes of her talent. Bartoli’s collaborations with esteemed period instrument orchestras and her artistic leadership roles, notably with the Vienna Philharmonic Orchestra, highlight her influence in the classical music world.

Bartoli’s career is not just limited to her singing; she has also taken on significant administrative roles. In 2012, she became the artistic director of the Salzburg Whitsun Festival, revamping its programming and boosting its international presence. More recently, in a historic move, she became the director of the Opéra de Monte-Carlo, being the first woman to hold this prestigious position.

Her personal life reflects a balance between her professional excellence and a harmonious private sphere. Cecilia Bartoli resides with her husband, Swiss baritone Oliver Widmer, dividing her time between Zollikon in Switzerland and Rome.

Throughout her career, Bartoli has been honored with numerous awards and accolades, reflecting her contributions to the arts and her status as a leading figure in classical music. Her journey is a testament to her passion for music, her commitment to reviving forgotten works, and her continuous pursuit of excellence on the stage and beyond.

GIUSEPPE VERDI – ANDREA BOCELLI

CD Classical January 19, 2024

GIUSEPPE VERDI

Don Roberts , January 2023

Described by Andrea Bocelli as his favorite tenor in the world of lyric music, guest at the world’s largest opera houses, the tenor Joseph Calleja is back with his new album »Verdi«, released by Decca Classics. On this album, Calleja delves into the bright and the dark side of Verdi’s heroic tenor roles, bringing to life Verdi’s most popular operas such as Aida, Don Carlo or Il Trovatore. He’s joined by the maestro Ramón Tebar and the dazzling Orquestra de la Comunitat Valenciana. 

Calleja started singing at the age of 16, first in his church choir and then in formal training with the Maltese tenor Paul Asciak. 

Among the arias from Il Trovatore, Don Carlo and Otello which can be found on this recording there is also “Celeste Aida” from the opening scene of Verdi’s Egyptian opera. Calleja’s new album also reflects his flourishing live career. Each of these roles highlights the tenor “Robusto” as the vocal type of an opera hero and shows Calleja’s vigorous but melodic voice.  

The understanding between Calleja and Tebar is extraordinary and that’s even more valuable in a very popular and important repertoire for the tenor, which today is considered one of the five most acclaimed in the world. 

The tenor glows commanding a program of great complexity due to the demanding level of the repertoire. His voice sounds smooth and natural, with vibrant squillo, marked expressiveness, conviction and very deeply moving, with a range of interpretive resources that goes from emotional subtlety to the unnerving emotion. 

Joseph Calleja shows once again in this Verdi recital that he is a remarkable actor, playing on a subtle and very embodied articulated style. 

The tone of Calleja in the Opening of Radames possesses a charming legato, and a finely vibrato meticulously controlled.  We can almost see the Egyptian general who certainly victorious would also want to reach the heart of his secretly beloved Aida… Calleja’s voice is highly distinctive especially for this “old school” timbre, that of the tenors of the early twentieth, the color of feeling, rather than trumpeting or even artificial projection. 

The orchestra under the wise and poetic baton of Ramon Tebar, is always the service of the soloist, accompanying him and masterfully responding to the conductor’s demands. The result is a great combination of wisdom, technique and profound feeling that brings the magic right to the listener’s ears.

FIVE SOULS – TAN DUN

CD Classical December 20, 2023

FIVE SOULS – TAN DUN

A Celestial Odyssey of Sound and Philosophy

Richard Philipps , December 2023

In “FIVE SOULS,” Tan Dun takes listeners on an ethereal journey through the realms of ancient philosophy and modern technology, merging the wisdom of Taoist thinkers with the limitless possibilities of sound. This audacious “metaverse symphony” is a testament to Tan Dun’s innovative spirit and his ability to seamlessly blend Eastern and Western musical traditions.

The five movements of the symphony, each named with poetic precision, encapsulate Tan Dun’s ambitious exploration of sound as a conduit for cosmic ideas. “H2O Tempo” flows like water, its fluidity and rhythm mirroring the essential nature of existence. The composer’s connection to Taoist principles is palpable as the music evokes the Tao’s core philosophy of harmony with nature.

In “Horch,” listeners are immersed in a sensory experience that mirrors the universe’s duality. The interplay of black and white, light and shadow, yin and yang, unfolds through the music’s rich textures and intricate melodies. Tan Dun’s orchestration becomes a canvas where colors of sound paint a vivid landscape.

The convergence of Eastern and Western cultures, a hallmark of Tan Dun’s work, finds its zenith in “WE (West and East).” Here, disparate musical traditions unite, creating harmonies that transcend cultural boundaries. The composer’s ability to bridge these worlds, honed through his own diverse education and experiences, shines brilliantly.

“Meta Voyage” propels listeners through dimensions, both seen and unseen. The symphony’s immersive recording techniques, realized in an old factory setting, make every note feel like a brushstroke on the canvas of the cosmos. Tan Dun, the conductor of this auditory journey, guides us through his sonic universe.

The finale, “Dream Rhythm,” is a captivating culmination of the symphony’s exploration. With the mastery of a true visionary, Tan Dun weaves dreams and rhythms into a sonic tapestry that envelops the audience. The synergy between composition and performance achieves a profound resonance, echoing the interconnectedness of all things.

Tan Dun’s ability to embody the role of a visual artist is mirrored in his music. His training in both Eastern and Western classical traditions, coupled with his bold experimentation, has led to the creation of “FIVE SOULS” – an opus that transcends conventional boundaries. Tan Dun’s fusion of philosophies, cultures, and sounds is a reminder that music is a universal language, capable of expressing ideas beyond the confines of words.

“FIVE SOULS” stands as a testament to Tan Dun’s continued commitment to pushing artistic boundaries. With this symphony, he not only bridges the past and the present but also propels us into the uncharted territories of the metaverse. The collaboration between Tan Dun and Decca Classics is a union of visionary artistry and technical innovation, resulting in a musical experience that resonates on multiple levels. This album is not merely a collection of compositions; it’s a transformative journey through the cosmos of sound.

THE NEW ENGLAND CONSERVATORY (NEC)

CD Classical December 18, 2023

THE NEW ENGLAND CONSERVATORY (NEC)

A Beacon of Musical Education and Innovation

In the world of prestigious music schools, the New England Conservatory (NEC) in Boston stands out as a distinguished institution. Since its establishment in 1867, NEC has nurtured countless musicians who have gone on to leave indelible marks in various genres of music. It is not just the oldest independent music school in the United States, but also one that continuously evolves to meet the artistic and educational needs of its students.

NEC offers a wide array of programs, from classical and jazz to contemporary improvisation, emphasizing a well-rounded musical education. Students have the opportunity to study under renowned faculty, participate in ensembles, and engage in a comprehensive curriculum that balances performance with academic rigor. The conservatory prides itself on fostering an environment where students can explore their creativity and develop their unique artistic voices.

The alumni roster of NEC reads like a who’s who of the music world, featuring acclaimed composers, performers, and educators. This illustrious list is a testament to the conservatory’s commitment to excellence. The faculty, comprised of seasoned musicians and scholars, provides students with insights drawn from their rich professional experiences, ensuring that education at NEC is both relevant and forward-thinking.

NEC is known for its innovative programs, such as the Entrepreneurial Musicianship department, which equips students with the skills necessary to navigate the evolving music industry. Additionally, the conservatory emphasizes community engagement and outreach, understanding the importance of music as a tool for social change and community building.

With its prime location in Boston, NEC serves as a cultural hub, hosting a plethora of concerts and events throughout the year. These performances, often free and open to the public, showcase the talents of students and faculty alike, while also featuring guest artists from around the globe.

The New England Conservatory continues to be a pioneer in music education, blending tradition with innovation. Its impact on the musical landscape is undeniable, with its graduates shaping the future of music across the globe. As NEC marches forward, it remains dedicated to nurturing the next generation of musicians, preserving its legacy as a bastion of musical excellence.

BARBARA HANNIGAN

CD Classical December 18, 2023

BARBARA HANNIGAN

The Versatile Virtuoso – Blending Conducting and Singing in Contemporary Opera

In the dynamic and ever-evolving world of classical music, soprano and conductor Barbara Hannigan stands out as a beacon of innovation and versatility. Her unique dual role in the realms of contemporary opera not only breaks traditional boundaries but also introduces a fresh perspective on performance and interpretation.

Hannigan’s journey from a world-renowned soprano to a respected conductor is a tale of passion and perseverance. Known for her exceptional vocal skills, particularly in contemporary opera, Hannigan has extended her artistry to the podium, seamlessly blending the roles of a conductor and a soprano. This rare combination has earned her acclaim in the world of classical music, where she is seen as a trailblazer.

Hannigan’s repertoire spans a wide range of contemporary composers. She has a special affinity for the works of Henri Dutilleux, whose opera “Correspondances” she performed entirely by heart, a feat that deeply moved the composer. Her approach to music is physical and emotional, embodying the pieces she performs, and transforming them into extensions of her artistic expression.

In her performances, Hannigan is known for her dynamic presence, both as a conductor and as a vocalist. Her ability to transition fluidly between conducting an orchestra and delivering a vocal performance is nothing short of mesmerizing. In pieces like Mozart’s concert aria “Vado, ma dove? O dei!” she begins conducting in a traditional pose, only to spin around gracefully and assume the role of the soloist, all while maintaining a deep awareness of the orchestra.

Barbara Hannigan singing and conducting LUDWIG. Concertgebouw Amsterdam 4-12-2017 Photo: Marco Borggreve

Hannigan’s artistry is not confined to traditional interpretations. She often explores challenging and avant-garde pieces, bringing a unique energy and insight to her performances. Her rendition of contemporary works, such as those by Ligeti, has been praised for its precision and emotional depth. Her performances are characterized by a keen sense of exploration and a commitment to pushing the boundaries of what is possible in classical music.

As a conductor, Hannigan is known for her fluid and expressive style. She often appears to be dancing through the music, sculpting the sound and silence with her movements. This approach not only captivates audiences but also brings out the best in the orchestras she leads.

Barbara Hannigan’s dual role as a soprano and conductor, along with her commitment to contemporary opera, makes her a unique and influential figure in the classical music world. Her performances are more than just exhibitions of technical skill; they are profound experiences that resonate with audiences and fellow musicians alike. As she continues to break new ground, Hannigan remains a luminous and inspiring figure in the evolving landscape of opera and classical music.

SANTA FE OPERA

CD Classical December 18, 2023

SANTA FE OPERA

A Confluence of Innovation and Tradition

The Santa Fe Opera, nestled in the picturesque landscapes of New Mexico, has established itself as a vanguard in the operatic world. Known for its inventive productions, the opera house has become a stage where tradition meets innovation, creating memorable experiences for opera enthusiasts.

In its recent seasons, the Santa Fe Opera has showcased a penchant for presenting both classical and contemporary works with equal flair. A notable example was the world premiere of Jennifer Higdon’s “Cold Mountain.” This opera, based on the eponymous novel, stood out for its compelling narrative and musical depth. Higdon’s score, celebrated for its clarity and inventiveness, beautifully complemented the opera’s Southern setting and emotional storyline.

Another groundbreaking production was “The (R)evolution of Steve Jobs.” This contemporary opera delved into the complex life of the Apple co-founder, balancing dynamic scenes with introspective moments. The production was noted for its ability to elevate the narrative beyond the realm of traditional theater, offering a unique operatic perspective on a modern subject.

The Santa Fe Opera has also received accolades for its fresh takes on classical operas. Their rendition of Monteverdi’s “Orfeo” was lauded for its imaginative staging and visual design, bringing a new dimension to this timeless tale. Despite some challenges, the cast’s emotional expression and stage presence were widely praised.

The opera house’s production of “Tosca” exemplified its commitment to delivering powerful and engaging interpretations of classic operas. The performance was marked by strong vocal displays, further cementing the Santa Fe Opera’s reputation for assembling talented casts.

While the Santa Fe Opera has enjoyed numerous triumphs, it has also faced mixed receptions for some of its ambitious projects. Productions like “A Midsummer Night’s Dream” and “The Lord of Cries” demonstrated the opera house’s willingness to take risks, even when the outcomes varied in critical reception. These efforts underscore the opera house’s commitment to exploring diverse operatic genres and styles.

The Santa Fe Opera continues to be a significant contributor to the operatic arts, known for its adventurous spirit and high-quality productions. With each season, it reaffirms its status as a beacon of creativity and excellence in the world of opera.

PAUL LEWIS

CD Classical December 15, 2023

PAUL LEWIS

Master of the Keys, Interpreter of Emotions

Paul Lewis, a distinguished British pianist, has made a significant impact on the classical music world with his profound interpretations, particularly of Schubert and Beethoven. His journey into music began with cello lessons at the age of eight, and he fondly recalls being part of an orchestra as one of his strongest musical memories. Despite admitting to being a “dreadful cellist,” these early experiences deeply influenced his musical perspective, especially his unique way of hearing Brahms’s Second Symphony “from the bottom up” due to his cello background (VAN Magazine).

Lewis’s approach to piano performance is marked by a deep respect for the composer’s intent, focusing on conveying the emotions and messages within the music. This philosophy was evident in his performances at Wigmore Hall, where his interpretation of Schubert’s sonatas was described as an uninterrupted tapestry of sonorities, colors, and moods. His playing of the Andante from Schubert’s sonata, for instance, was noted for its balance of tranquility and percussive outbursts, reflecting a dialectic between doubt and hope, uncertainty and affirmation (The Arts Desk).

His recordings, particularly of Beethoven’s piano sonatas, have been widely acclaimed. His interpretation of the Beethoven sonatas, recorded between 2005 and 2008, has been described as one of the finest cycles in recent memory. Lewis’s attention to contrapuntal and textural awareness in these recordings demonstrates his meticulous approach to music (Presto Music).

In another performance, Lewis’s rendition of Schubert at Turner Sims was praised for its storytelling intimacy and theatrical elements. His ability to convey the whimsical and dreamlike qualities in Schubert’s work, while maintaining an unerring technical assurance, was particularly noted. His commitment to Schubert’s sonatas was described as so profound that they could almost have been written with his temperament in mind (Bachtrack).

Throughout his career, Lewis has also been vocal about the importance of music education and access to musical resources. He expressed strong opinions on the cuts to school music education and library funding, emphasizing the significance of his formative experiences at Chetham’s School of Music and local libraries in discovering music (VAN Magazine).

Paul Lewis’s career, marked by his thoughtful and emotive piano playing, continues to leave a lasting impression on the classical music landscape. His deep connection to the works he performs, combined with his commitment to musical understanding and education, makes him a standout artist in his field.

CADOGAN HALL

CD Classical December 14, 2023

CADOGAN HALL

London’s Acoustic Jewel and Cultural Beacon

December 2023

Cadogan Hall, nestled in the prestigious locale of Chelsea, London, epitomizes the harmonious blend of architectural grandeur and acoustic perfection. This 950-seat venue, with its ornate interior and state-of-the-art sound design, has firmly established itself as a pinnacle in London’s vibrant cultural tapestry.

Renowned as the residence of the Royal Philharmonic Orchestra, Cadogan Hall has long been synonymous with world-class classical music performances. It has hosted an array of internationally acclaimed musicians, orchestras, and ensembles, providing them with a platform to showcase their artistry. The hall’s acoustics, often lauded for their clarity and depth, ensure that every note and nuance is experienced in its purest form, making it a preferred destination for classical music enthusiasts.

However, the scope of Cadogan Hall extends beyond the realms of classical music. Its versatile nature has seen it embrace a multitude of musical genres. From the rhythmic complexities of jazz to the emotive narratives of folk, from the energy of contemporary pop to the dramatic flair of musical theater, Cadogan Hall has showcased an eclectic mix of musical styles, each finding a unique resonance within its walls.

Cadogan Hall’s programming is a testament to its commitment to innovation and cultural diversity. It has been the setting for avant-garde performances and groundbreaking collaborations, bridging the gap between traditional and contemporary music. This approach has not only enriched London’s musical landscape but also attracted a global audience, underscoring the hall’s reputation as a cultural ambassador.

Cadogan Hall is more than just a concert venue; it is a cultural hub that reflects the dynamism and diversity of London’s artistic community. Its events calendar is a mosaic of genres and styles, appealing to a wide spectrum of audiences. From intimate recitals to grand orchestral performances, the hall offers a plethora of musical experiences, each imbued with its unique charm and sophistication.

Complementing its rich performance schedule, Cadogan Hall is also dedicated to educational and outreach programs. These initiatives aim to nurture budding talent and foster a deeper appreciation of music among younger audiences. By engaging with the community through workshops, lectures, and interactive sessions, the hall plays a pivotal role in shaping the future of music.

For those seeking to immerse themselves in the world of music, a visit to Cadogan Hall is an unmissable experience. The hall’s official website offers a gateway to its upcoming performances, providing music lovers with an opportunity to explore its rich program and book their next musical adventure in the heart of London.

In summary, Cadogan Hall stands as a testament to the enduring power of music and its ability to transcend boundaries. It continues to be a beacon of artistic excellence, drawing performers and audiences alike to its magnificent setting in Chelsea, where every performance is an exploration of musical artistry.