WALTON / SHOSTAKOVICH – ALBION QUARTET

The Albion Quartet’s recording of Shostakovich’s String Quartet No. 3 and Walton’s String Quartet in A minor is nothing short of exceptional. From the first note to the last, this album presents a captivating musical journey that showcases both the group’s talent and the profound emotional depth of the compositions.

The standout feature of this recording is the way the Albion Quartet approaches Walton’s String Quartet in A minor. The turbulence and wistful lyricism of Walton’s writing are masterfully captured, drawing listeners into a world of searing tension and poignant moments. The opening is particularly captivating, with the quartet’s tone effortlessly shifting between honeyed sweetness and scintillating energy, at times even feeling electric. The use of swooping portamentos, reminiscent of the first recording of this piece by the Hollywood Quartet, adds an appropriate touch of nostalgia and reverence for the period.

Throughout the performance, the quartet’s pacing and attention to detail are impeccable. Ann Beilby’s rich and poignant timbres on the viola add a special touch to Walton’s writing, making it shine even more. The interplay between Tamsin Waley-Cohen’s and Emma Parker’s violin lines is a highlight, often leaving listeners breathless with the drama of stormy passages or the delicate subtlety of tender moments. Nathaniel Boyd’s cello line grounds and supports the music with beguiling guttural interjections, contributing to the almost orchestral textures of the composition.

The pairing of Walton’s quartet with Shostakovich’s Third Quartet is a thoughtful decision, given that both were completed in 1946, a year marked by “conflicting emotions” post-war. The Albion Quartet’s rendition of Shostakovich’s work is equally compelling. The quartet expertly navigates the contrasting moods and emotions of the piece, from a seemingly jaunty and sunny opening that quickly reveals its underlying cynicism. As the composition descends into shadows, the Albion Quartet follows suit, delivering a hauntingly atmospheric performance.

The album’s production is commendable, allowing the Albion Quartet’s vast and resplendent sonorities to shine while keeping the details intact. The architecture and pacing of the album are well-judged, guiding listeners through an excruciating yet exhilarating journey of musical and emotional states. The parallels drawn between the post-war year of 1946 and the present time add an extra layer of poignancy to the experience.

In conclusion, the Albion Quartet’s recording of “SHOSTAKOVICH. WALTON ” is an outstanding achievement. Their erudite and courageous playing, coupled with a deep understanding of the compositions, makes this album a must-listen for chamber music enthusiasts. The emotional impact of their performance is felt throughout, and their ability to capture the essence of the times through these works is praiseworthy. This recording stands as one of the best musical experiences of the year, making it a highly recommended addition to any classical music collection.