DIE SCHÖNE MÜLLERIN

Samuel Hasselhorn, the illustrious baritone who clinched the First Prize in the Queen Elisabeth Competition in 2018, has solidified his place in the international music scene, captivating audiences as both an opera singer and a recitalist. His latest release, “Die schöne Müllerin D795,” in collaboration with pianist Ammiel Bushakevitz, is a testament to his remarkable talent and deep emotional insight. 

The album opens with the mellow yet emotionally charged “Das Wandern.” Hasselhorn meticulously adheres to Schubert’s score, beginning at a “Mässig” (Moderate) tempo for the first three stanzas and then gently slowing down to an almost “Andante” pace for the final two. This deviation in tempo adds a magical dimension to the music, setting the stage for what’s to come. 

Throughout the cycle, Hasselhorn demonstrates a stunning range of soft nuances, while still exuding power and energy. In “Halt!” (track 3), his interpretation is vital and robust, while “Der Jäger” captures the despair of realizing the presence of a rival. This shift in emotion is stark, especially considering the intimate conversation between the protagonist and the Müllerin in “Morgengruss.” The subsequent songs, “Tränenregen” and “Mein!” are overflowing with rapture as he rejoices in his love, building to ecstasy in “Mit dem grünen Lautenbande.” 

However, just when all seems perfect, the hunter appears, and Hasselhorn’s portrayal of the sudden transformation is nothing short of brilliant. This pivotal moment, marked by the abrupt shift from joy to jealousy, is rendered without exaggerated theatrics, creating a captivating experience that leaves the listener in awe. 

The concluding songs are marked by resignation and acceptance, beautifully melancholic as heard in “Trockne Blumen.” The dialogue between the Miller and the brook is particularly moving, and the postlude after “Des Baches Wiegenlied” offers a sense of soft, comforting closure, akin to the sound of gentle church bells. 

Ammiel Bushakevitz, the accomplished pianist accompanying Hasselhorn, deserves special mention. His accompaniment is deeply engaging and seamless, creating a symbiotic partnership with the baritone. Their collaboration elevates this rendition of “Die schöne Müllerin” to a new level of artistry. 

In a vast collection of recordings spanning decades, Samuel Hasselhorn’s interpretation of Schubert’s “Die schöne Müllerin” undoubtedly ranks among the finest. While choosing a definitive favorite remains an impossible task, Hasselhorn’s performance places him securely in the upper echelon of interpreters of this timeless masterwork. Music lovers will find his rendition a true delight, breathing fresh life into Schubert’s enduring masterpiece.