MOMENTUM – LIYA PETROVA

In an astute pairing that might raise eyebrows initially, Liya Petrova, the gifted Bulgarian violinist, brings together Walton’s Violin Concerto and Respighi’s Violin Sonata in a display of artistic prowess that finds a unique connection between these two diverse compositions. Both hailing from Italy, a country that exudes the essence of the Mediterranean, these pieces, when played by Petrova, seem to resonate with a shared vibrancy and fervor.

From the very first notes, a common thread of opulence and warmth weaves through both works. Petrova’s interpretation taps into this quality effortlessly, allowing the concerto’s spontaneous character to shine and skillfully molding its enchanting themes. The allure of her performance is particularly evident in the velvety descents to the G string, which she imbues with a seductive charm that is hard to resist.

Petrova’s approach to the recurring themes in the concerto is remarkable. As the woodwinds echo the opening motif towards the movement’s conclusion, her violin weaves a delicate tapestry around the melody, infusing it with tender introspection. At the same time, she captures Walton’s spirited essence, embracing the vivacious syncopation that underscores his distinct musical personality.

The recording’s immediate presence is an asset, effectively highlighting the soloist’s virtuosity while allowing the orchestra’s intricate layers to unfold. Guided by Duncan Ward, the Royal Philharmonic Orchestra maintains a responsive synergy with Petrova, resulting in a captivating interplay of energy and musical dialogue.

While Respighi’s Sonata in B minor might be overshadowed by more well-known compositions, Petrova’s performance thrusts it into the limelight. The transition from orchestra to piano, skillfully navigated by Adam Laloum, doesn’t diminish the piece’s impact. The first movement’s opening theme, while distinct, carries a distant echo of the concerto, forming an unexpected bridge between the works. Respighi’s signature neoclassical flavor is evident, intertwined with a theatrical flair that crescendos in the passionate climax of the slow movement.

However, Petrova’s true mastery lies in her ability to retain the sonata’s lyrical essence. Her Slavic temperament infuses the expressive passages with profound emotion, adding a layer of depth to the effusive writing. The juxtaposition of these seemingly disparate pieces, chosen with thoughtful intent, creates a unique synergy that enhances the appreciation of both compositions.

In summation, Liya Petrova’s performance of Walton’s Violin Concerto and Respighi’s Violin Sonata is a testament to her artistic finesse. Her capacity to capture the sultry allure and operatic grandeur embedded in both pieces showcases her deep grasp of their underlying spirit. Petrova’s deliberate pairing of these compositions underscores the fascinating interplay between seemingly unrelated works, revealing the unifying influence of the Mediterranean’s musical charm.