EDVARD GRIEG – LISE DAVIDSEN & LEIF OVE ANDSNES

Lise Davidsen’s album “Grieg” is a remarkable and essential release that should be celebrated as a rare gem in the classical music world. The collection brings a unique freshness to the music of Norway’s most celebrated composer, Edvard Grieg, and showcases the extraordinary chemistry between the two Norwegian superstars – the stunning soprano, Lise Davidsen, and the renowned pianist, Leif Ove Andsnes.

From the very first note, Lise Davidsen’s voice leaves a profound impression. Her vocal prowess is immediately evident, possessing a rare combination of rich beauty, powerful strength, and grandeur. Yet, what sets her apart is the ability to scale back to the most intimate and delicate pianissimo. Davidsen’s voice serves as an instrument of expression, effortlessly conveying emotion and nuance in every phrase.

The partnership with Leif Ove Andsnes proves to be a masterstroke. Andsnes’s piano playing is a testament to refinement and sensitivity. Each note is carefully placed and voiced, avoiding any temptation to overshadow the vocal performance. While some may initially find his approach understated, it becomes clear that this subtlety allows the emotional depth to blossom, creating moments of intense power when the emotions eventually pour forth.

Decca’s engineering further enhances the listening experience, capturing the full range and magnificence of Davidsen’s voice alongside Andsnes’s exceptional playing. The result is an album that deserves a prominent place in any Grieg aficionado’s collection.

The album’s centerpiece is the Haugtussa cycle, where the artists’ approach truly shines. In “Møte” (Meeting), the turning point of Haugtussa, Davidsen and Andsnes build the tension masterfully, leading to a mesmerizing and emotionally charged climax. Throughout the cycle, Davidsen effortlessly shifts between authoritative vocals and delicate, heartfelt expressions, creating a captivating narrative.

The rest of the album maintains the exceptional standards set by the opening Haugtussa. Highlights include the late Five Songs, Op. 69, and the Six Songs, Op. 48, as well as other well-chosen selections. “A Swan” stands out with its powerful stillness, while “Jeg elsker dig” (I Love But Thee) is delivered with irresistible tenderness. The Op. 69 songs are particularly compelling, with Davidsen showcasing her impressive dynamic range, leaving a lasting impact on the listener.

Comparisons to previous recordings of Grieg’s songs are inevitable, but Davidsen and Andsnes present a compelling case for their distinct interpretation. While Anne Sofie von Otter’s Grieg recital may remain a benchmark for some, Davidsen and Andsnes bring a fresh and emotionally raw approach that captivates from start to finish.

In conclusion, “Grieg” by Lise Davidsen and Leif Ove Andsnes is a captivating and exceptional showcase of Norwegian talent. Their approach to Grieg’s music is powerful and emotionally charged, and the chemistry between the two artists is nothing short of magical. This album should be considered an outstanding release and is no less essential than other celebrated recordings of Grieg’s works.